Soundguys and gals...
Here is a basic rundown of what we use and where we would like it. This shaves some time off sound check, and makes your life easy. (we hope)
You can scroll down to find an input list and monitor send requests.
We're pretty easy to work with and if you have any questions, call Jayson 727.657.3968
CLICK PICTURE TO SEE MAX SIZE AND PRINT
Rhythm Method
Input List / Monitor Mixes
| CH. |
INSTRUMENT |
MIC |
STAND TYPE / DI BOX |
MON SEND |
| 1 |
KICK DRUM |
BETA 52 |
SHORT BOOM |
3 (LOUD) |
| 2 |
SNARE |
SM57 |
SHORRT BOOM/CLIP |
3 |
| 3 |
FLOOR TOM |
SM57 |
CLIP |
3 |
| 4 |
RACK TOM 2 |
SM57 |
CLIP |
3 |
| 5 |
RACK TOM 1 |
SM57 |
CLIP |
3 |
| 6 |
HI HAT |
SM81 |
BOOM |
X |
| 7 |
OVERHEAD |
SM81 |
BOOM |
X |
| 8 |
SPD-S SOUND MODULE |
1/4" OUT |
D.I. BOX NEEDED |
ALL |
| 9 |
BASS CAB |
D.I. BOX |
D.I. BOX NEEDED |
3 |
| 10 |
GUITAR AMP |
SM57 |
SHORT BOOM |
2 |
| 11 |
KEYS 1 |
D.I. BOX |
D.I. BOX NEEDED |
2/3/4 |
| 12 |
KEYS 2 |
D.I. BOX |
D.I. BOX NEEDED |
2/3/4 |
| 13 |
GUITAR VOX |
SM58 |
BOOM |
2/1/4 |
| 14 |
KEYS VOX |
SM58 |
BOOM |
2/1/4 |
| 15 |
DRUMS VOX |
SM58 |
BOOM |
3 |
| 16 |
BASS VOX |
SM58 |
BOOM |
3 |
| 17 |
LEAD VOX |
SM58 |
STRAIGHT |
ALL |
| 18 |
XXXXXXXXXXXXXXXXX |
XXXX |
XXXXXXXX |
XXXXXXXX |
The drum sound module NEEDS to be in all monitors. It should near the volume of the kits stage volume.
The drummer has in ear monitors, his monitor feed must be 1/4" or XLR. Neutrik Speak-on is not acceptable. The wireless unit is a shure transmixer transmitter.
The Keyboard player uses a synth (keyboard) based vocoder on some songs. He simply unhooks the XLR cable from his vocal mic and hooks in an XLR cable that is plugged into his keyboard. The mic output and vocoder effect output comes from the top keyboard. This has never created problems, but inform us ASAP if this is an issue with you.
The Singer is now using a TC Helicon VoiceTone Correct Vocal Effects Pedal for ALL DATES. This allows us to get close to
the effect used on some of todays hottest hip hop tracks, it also features auto-chromatic pitch correction and a sibilance-smoothing de-ess algorithm. It has one XLR input and two XLR outs. One output is wet (with effect) and one dry (without effect) You only have to run one channel (the wet/effected channel) but feel free to run both and blend.
SPECS:
Analog Inputs
Connectors: Balanced XLR
Input Impedance: 1 kOhm
Mic Input Sensitivity @ 0 dBFS: -44 dBu to +2 dBu
Mic Input Sensitivity @ 12 dB headroom: -56 dBu to -10 dBu
EIN: -128 dBu @ max. mic amp gain, Rg = 150 Ohm
Analog Outputs
Connectors: Balanced XLR
Output Impedance: 40 Ohm
Output Level @ 0dBFS: +2dBu
If you have questions:
Jayson (727) 657.3968
Brandon (727) 271.8744
